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Ready for the Hunt

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Ruth Hunt

Last month several hundred LGBT+ people gathered in the oh-so posh Dorchester Hotel to raise funds for Stonewall. The event raised a whopping £450,000 for the organisation, which prides itself as being the UK’s most foremost gay rights group. We all know its name. We’ve seen its events pop up in the gay press every now and then. But what does it actually do? And why is it so deserving of our charitable pounds?

 

Cliff Joannou meets new Chief Executive Officer, Ruth Hunt


Stonewall occupies the lofty heights of a huge office block towering over Waterloo station. The panoramic views from across the office provide a snapshot of London in 2015. Endless construction cranes stick in and out of the city skyline like long needles slowly knitting together the tapestry that is the ‘world’s greatest city’. Just across the river are the towers of Westminster’s political heart. It’s an inspiring view, and utterly relevant given that Stonewall is tasked with monitoring the rights of the nation’s lesbian, bisexual, gay and now trans (more on that later) population. But what do they actually do for us?

Stonewall was set up 25 years ago in response to Section 28, the then Conservative government’s much maligned legislation that saw any mention of LGBT lives banished from the school system. It was a heinous piece of legislation that affected generations of non-heterosexual young people. Its effects are felt to this day in gay bullying, rising HIV rates and even the sinister drug dependency issues we see plaguing our community that frequently finds root cause in the forced invisibility of young LGBT people. Stonewall cheered on the repeal of the law in 2003, but its consequences still ripple through our community today.

“We’re not in the closet any more but we still haven’t found a way to share our stories.”

Gay rights in the UK have taken huge strides since then. But while we may have gay marriage there’s still an immense amount of inequality out there in regards to the wider acceptance of LGBT people in society. Laws may change, but society’s mindset moves at a slower pace. As progress moves forward in the law, often the anti-gay lobbyists dig their heels in further and make life harder for those less able to defend themselves, like young LGBT people and the disabled.

“We host meetings with the community,” Stonewall’s new CEO Ruth Hunt tells me. “We create spaces where disabled, BME [Black Ethnic and Minority], and trans people can meet us so we can hear about their experiences. It’s a big part of what we do, otherwise it becomes about one type of gay person.”

Hunt officially took on the post last August, six months after Ben Summerskill stepped down. She joined Stonewall as Senior Policy Officer in 2005, previously working at the Equality Challenge Unit. Hunt grew up in Wales and Birmingham and at 34 she is noticeably young to take the Chief Executive role of a major organisation.

“The challenge is how do gay people lead the way in creating a more diverse understanding of what it is to have relationships? To dress how you want? To act how you want? Be who you want? That’s our responsibility now.”

Change was needed. The organisation had become staid and introspective. It had dropped the ball on equal marriage, with Summerskill slow to voice support for the cause. Added to that, the ongoing shadow cast across the charity over its exclusion of Trans campaigning loomed darker as that community’s needs became increasingly high profile in the media. A long consultation with “hundreds of trans people” under Hunt’s stewardship resulted in Stonewall officially adding the ‘T’ to ‘LGB’.

Why did it take so long? “My job is amazing. It’s the best job in the world. But we don’t always get it right, I know that. But when we do, it makes a real difference. I’ve been really impressed with the sheer willingness of people to engage with that conversation [on trans issues], how many different experiences exist, but also how much we all have in common.”

Hunt draws on her appearance as an example of how she’s also affected by prejudice. “If I’m out in the street in my jacket and tie with another woman in a jacket and tie, the level of abuse we get is off the scale. If I’m with a girl who’s quite feminine, then that’s a bit more acceptable. That’s nowhere near transphobia by any stretch of the imagination, but to pretend we don’t have shared experiences is not helpful.”

So, why did it take so long to get trans issues on the Stonewall agenda? “When we started out, [transgender law group] Press For Change was our sibling organisation. As we got bigger and influencing in different ways we were dealing with organizations that could barely spell lesbian. We would go in and ask if they had any gay staff, and they would say ‘no’. And then they would come back to us after they spoke to their staff and say, ‘Oh yeah, we have got gay staff and they’re really happy.’ To then say ‘what about trans?’ would have blown their mind. So, it was easier to say, ‘OK, now speak to Press for Change’.

“When we spoke to the Department of Health about lesbians needing smear tests, Press For Change said some trans needed smear tests. They were very different issues to take on board in those days, but as people got better at understanding those differences Stonewall should have said ‘Shall we think about those issues?’ But it needed a fresh start to have those conversations,” she says referencing the change of captain at the top.

She cites Stonewall’s main concerns now as “the massive level of hate crime, bullying in schools, keeping young LGBTs safe when they come out, gay visibility in sport and international LGBT rights.”

Stonewall receives no money from the government. It employs 85 staff that work with 700 employers, schools, nurseries, colleges, researchers and political policy makers to push the discussions of LGBT rights forward. Its events team is tasked with raising the money to do that, including hosting those fancy dinners in five star hotels.

“Suddenly we can get married, that doesn’t mean we all should get married.”

Do the posh dinners work against Stonewall’s image as being grounded in the community? “The posh dinners are big fundraisers. If I said to all those people can you give me £1000, they will say ‘no’. If I said, do you want to come to a dinner and pay for it, they’ll say ‘yes’. We have 650 people coming for dinner, and that is our biggest fundraiser of the year.”

In these times of austerity in which big business is being seen as walking all over the average person, do these events present Stonewall as too elitist? “When Stonewall was set up it was accused of being elitist and not in touch with the community because it was designed to influence MPs, peers, parliamentarians. We’re about influencing. Stonewall is a strategic influencing organisation. There’s some really weird legislation that goes on that we stop. The work we do is of benefit, but you may never see that.

Hunt elaborates further, “Stonewall has deliberately set itself up to be not necessarily of immediate interest to the scene, but doing everything we can to make sure nobody is discriminated against in that scene. The priority has been to get the police to stop arresting gay men. So gay men might think that Stonewall has been elitist and not got anything to do with them, but that’s been the objective.”

Ruth does acknowledge that as times have changed, so must Stonewall. “I think increasingly we want to make those connections more, we want to go back into seeing the beautiful diversity of our communities reflected in our work, and making that important and valid.”

Working so centrally in the Westminster bubble brings its own challenges, such as the snail’s pace with which political change moves. “The thing that Stonewall’s learned is [change] takes a lot of time. A lot of it is just bureaucracy.”

The main issue facing legislation change is the political tennis that happens between parties, each wanting to take the credit for the popular changes in law. “We have to get to the point where people think that they’re getting the credit. There’s all that game playing that goes on that feels a bit like a farce. Ben [Summerskill] was a genius at it, whereas I’m a bit like ‘But you’re all talking rubbish, why don’t you just do it’. It’s a pantomime, it’s a game. But the reality is that every institution is like that. Everything we do at Stonewall is about the negotiating, that nudging. Who gets the credit is really important. I don’t do that enough, I need to do more of it.”

Ruth gives the complex nature of civil partner conversions as an example of the long journey that a campaign or idea takes to legislation. “Part of the role of Stonewall is to enable and amplify those voices and strip out ego.”

As disheartening (unsurprising?) as it sounds, often our politicians are the kind of people that act on good causes only when nudged in the right direction, or will act on it fastest when the glory for doing so shines on them. As such Hunt recognises the fact that real, noticeable equality will only really happen when we all take responsibility for it.

“My absolute dream in this job for the next five years is to get to the stage where whatever you want, you can do, and we’ll help you do it. But you don’t need to belong to us to do it.”

I agree that to create a better world it can’t just be left to the politicians for it to manifest. “We want everybody to have a role to play making their community better,” Hunt states. “We all live somewhere, we all have schools next door. The gay movement for the last ten years has been quite selfish, it’s been about rights for ‘you’, and ‘your’ right to get married.”

She has a point: how many times have we breezed passed a Facebook status condemning Isis for its actions in throwing a gay man blindfold off a building, to which we all-too weirdly click ‘like’. It’s all well and good voicing our disgust online, but what do any of us actually do to make the world better?

Hunt believes it’s as easy as starting with the young gay guy next door. “How do we persuade your mates on the scene to give a damn about the kid who has dropped out of school at fifteen, is not too smart and is trying to find his way in the world of work in his local Tesco and is scared to tell his dad he’s gay. How do we help him, because we have a responsibility to him?”

It’s a bold vision of a better LGBT community that I agree we should all play a part in. “I want those gay guys who go for a drink and say ‘What’s Stonewall got to do with me’ to go back to their schools and say what it means to be growing up and be gay. I want the drag queens to be able to go and talk to people who are not understanding what it is to feel like they want to dress up, and how that’s different to gender identity. I want people to tell their stories. Because we’re not in the closet any more but we still haven’t found a way to share our stories.”

Hunt and I discuss the resurgence of interest in global LGBT rights in recent years, and how social media has played a part in raising awareness of other experiences. People feel they can make a difference now, however small. But is it enough to just re-Tweet outrage at injustice and sign a petition from the comfort of your sofa and the safety of your home?

“Social media has made a difference,” Hunt speaks of this renewed interest in LGBT rights. “Part of Stonewall’s challenge is how do we capture that enthusiasm and give people something to do? It took Britain 25 years to get rid of Section 28. Russia has just introduced it.”

Hunt is realistic about how much international change we can accomplish from the UK as a finger-wagging Western nation. “The big challenge is that people like Putin aren’t going to be shamed. So, what we do is support the activism in those countries. We worked with a group of Russian human rights defenders and trained them on how to set up a campaigning organisation and trained them how to do business planning, budgets. We train them here and in Russia.”

Can I write about this, I ask? She says that I can now, but at the time it was work that was conducted quietly. “We do this discretely. We can’t shout ‘Hey, look what we’re doing, we’ve got twelve people from Russia in our office’. We do this with lots of different countries.”

Stonewall recruits four people who specialise in international rights. “[Other countries] were coming to us and asking ‘how did you get rid of Section 28, how did you get into schools, how did you campaign to get hate crime legislation?’ And we couldn’t answer that under charity law, so we changed our objectives to enable us to answer those questions. We felt we had a moral responsibility to share that learning.”

Hunt makes a distinction between this kind of work and actively supporting other embattled LGBT communities. “That’s different from taking on those campaigns. We mustn’t have an office in Russia, that would be completely wrong. But if we’ve got expertise to share, we should be sharing it. So, when we talk to people in Russia, we tell them what we did 25 years ago with education. We tell them how we talked to other children’s charities, trade unions and women’s groups. We taught them to build coalitions. That’s the right thing to do.”

What have been the biggest challenges since taking over the role? Hunt pauses and reflects. “It took me a while to get used to the level of personal abuse that comes with this job.
As the figurehead of this organisation people direct their anger and frustration at me personally, which came as a surprise to me and is hard. Being called an evil dyke who’s trying to corrupt children. They’re angry with what Stonewall’s doing with schools but it manifests in personal abuse with me. But I had to develop a thick skin very quickly. What surprised me is not how things go wrong, but how people respond to that.”

It’s not just outside forces that Hunt has had to contend with. I wonder what negativity she has faced from within the LGBT community? As much as we like to present ourselves as a united people, we can also be the first to tear each other down. “It’s a massive community and Stonewall doesn’t have universal love. Some people want us to work in a different way, to be more radical, calling on boycotts. But we’re not that kind of organization.

“What’s beautiful about the gay world is you have lots of different types of campaigning. You’ve got your Peter Tatchells, you’ve got your Stonewalls, you’ve got your local groups doing amazing work. We’re really privileged to have that range. You don’t have to choose one or the other. But sometimes people think you can only have one. You need all of us to get results.”

Is it harder doing this job as a woman and as a lesbian? “Not so much any more. I think people don’t expect me to be as good as I am. People’s expectations are lower of women. Being young is more of a barrier,” she says with a wry smile. “People think I’m too young to know what I’m talking about. But I know what I’m talking about.”

Indeed, one of her detractors would be from within Stonewall’s own ranks. When her predecessor, Summerskill, left the job Pink News reported how a barrage of negative Tweets (that highlighted his noted absence) flooded in from him during her first fundraising dinner.

“This is a really intense job that takes up all your time and life. You’re not off at any point. Everybody expects you to live the job. It’s hard to go ‘I’m not going to be gay today’. Ben did that job for eleven years, and breaking up is hard to do. He resigned, and I think he missed it. That dinner had been his and that’s something I was doing. You know, people do all sorts of things.”

Hunt is determined she won’t match his length of service. “I’m not going to do eleven years. But it’s also hard to leave because Stonewall is like a family. You hear other charities talk about ‘them’, as in ‘we’re working to help them’. But we talk about ‘we the LGBT community’.”

I mention how many young people I speak to now are complacent with gay rights in the UK. They think that with gay marriage now law we’ve achieved what all we need to.

Hunt believes there’s plenty more work to be done, and to think otherwise is dangerous. “We’re not secure enough. We’re not solid enough. I think it’s pretty OK to be gay now if you are employed, rich, handsome, home-owning, proposing to have your two kids, had your marriage, had your civil partnership. We talk about good gays – ‘it’s good to be gay if you’re a good gay.’ Most of us are not good gays, we like clubbing, or we like taking drugs or we like doing this or that and we are who we are and that’s not an acceptable face of gay yet.”

She continues, “It’s fine to be gay in Central London, in Soho, but you can’t do that in Lewisham if you’re two women. Our ability to know that in our guts is so damaging that we have to risk assess every situation we go in. It comes so second nature, how can you say we’re equal? Until you get to the stage where you don’t have to risk assess every single situation on a night bus, we’re not there yet.”

What about the rising issue of chemsex affecting so many gay men today? As a new plague of mind and body, in many ways it’s arguably as damaging to our community’s mental health as other crises we’ve faced, from 150 years of criminalisation to AIDS.

“Sadly, this is a growing problem,” Hunt says of the subject. “Our own research into the health of gay and bisexual men found that half of gay and bi men have taken illegal drugs in the last year alone.

“In terms of what Stonewall are doing, we’re pushing for statutory PHSE and SRE in schools to ensure that young people learn about healthy relationships, safe-sex and understand the impact of risk-taking behaviour. We’ll continue to work and support organisations like London Friend and GMFA who are already undertaking pioneering work in this area to support gay and bi men.”

Issues like this highlight unwanted consequences of our quest for equality in that we are now expected to assimilate our lifestyles seamlessly into a conventional template of society that isn’t designed for all of us. LGBT people have existed for so long on the fringes, only accepted into the mainstream’s folds if we conform. So, how do we suddenly compromise this innate difference in ourselves to the wider hetero-normative world?

“I don’t think there’s one fight any more. There’s people that want different things. The key in the equality fight has always been about choice. There’s a danger that because something is permitted, it feels compulsory. That I worry about. Suddenly we can get married, that doesn’t mean we all should get married. For a lot of us who grew up thinking we would never be married, suddenly feel we ought to. And we need to watch that.”

It’s on this note that Hunt reveals one of her most revolutionary thoughts that provides me with the final acknowledgement that perhaps Stonewall is in safer hands, now more than it was before. “I think this is a problem affecting heterosexual people, too. So, I think the challenge is how do gay people lead the way in creating a more diverse understanding of what it is to have relationships? To dress how you want? To act how you want? Be who you want? That’s our responsibility now.”


Charlie Hides Sunday Social @ The RVT

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RVT

05/04/15: WHOOOO goes to the 99p shop, buys some garden refuse bags and turns in to a couture dress?

Charlie freakin’ Hides, that’s whoooo! As you can see, she looked totally fierce in them as well. Commanding the Royal Vauxhall Tavern stage every Sunday afternoon with an A-list star-studded cast including (but not exclusive to) Cher, Madonna, Gaga, Kandi Kane Baxter and the biggest diva of them all; Laquisha Jonz. Complete with sexy, hunky Easter bunnies to fill your hole – I mean mouth – with chocolate! It’s like therapy (for Charlie as well), after a hard week you walk through those double doors and forget all your troubles and literally laugh your ass off. This sold-out crowd was lapping it up and it was a great atmosphere. The Sunday Social is every Sunday afternoon and if you haven’t been, then get your sexy asses down there!

372 Kennington Lane, Vauxhall, SE11 5HY
Words and Photos by Joel Ryder

PAPA Wild West

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Papa Wild West

05/04/15: After a very long Easter weekend this bunny was ready to hit the hutch, but Papa was calling, so it would be rude not to, wouldn’t it?

The theme for this Papa extravaganza was the Wild West and yeeeeehaaaa, were there some sexy cowboys in the house rounding up the cattle. Figuratively speaking of course! The crowd was pumped and worked up into a frenzy as D’Johnny and Isaac Escalante played back-to-back, showing no mercy and leaving no space to move on the main floor as the night got going. On hosting duties, the cowgirl of all cowgirlz Johanna Londinium, looking stunning as always, and Mr JJ Clark, both having an amazing time with the crowd. Promoter Eliad Cohan was having the most fun of all, mingling with the crowd, handing out Papa merchandise and enjoying seeing the boys having a great time. They were having it very large, supersize even, with DJ delights in the other rooms like Massimo Paramour and GSP. And there it was! Papa was over and it was on to the next party. We had so much fun guys, bring on next year!

The Qube, 191 Victoria Street, SW1E 5NE
Words and Photos by Mark Storey

Pussy Faggot – The Second Coming

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David Hoyle

David Hoyle was serenading the crowd with ‘Maybe This Time’ to the sound of a MRI scanner. Dressed in chic white jacket, sudden ebony shock of a wig, scarlet lipstick and kohl panda eyes – ‘you want to be understated with your makeup otherwise you may end up looking like a clown’ he’d quipped in his show the night before – he was a scare-Tory Snow White for the queer anarchists.

 

Words by Patrick Cash. Photos by Holly Revell


After his rapturous applause, he had words to Northern drawl about the arts: ‘That was an unoriginal song to an original backing track,’ he stated. ‘Arts subsidies are dying. Creativity and self-expression are now more important than ever. I would tell you what I really think of the people in authority of the arts, but I don’t want you to smash Jonny’s place up.’

Jonny is the masterful performance artist Jonny Woo, and his place is The Glory. In a capital city where the cries are consistently of LGBT venues closing down, and dead-behind-the-mascara drag queens singing David Guetta covers to the profit-minded conservatives of Soho, The Glory is like a fork of glittered lightning slicing onto an algae-covered pond. Here lies the new vortex for all those set adrift when The Joiners closed, and more: for Jonny’s two-tiered venue promises to safeguard queer creativity and self-expression within its sweaty walls.

Dressed as Lou Reed – ‘I am aware my Lou Reed is a bit biker dyke’ – Jonny was a pivotal part of last Friday’s soldout ‘Pussy Faggot – The Second Coming’. Curated by legendary New York cabaret manager Earl Dax, the show brought the crème de la spunk of the Big Apple, including former Warholian superstar Penny Arcade, to mingle with the high-heeled loads of homegrown Big Smoke talent.

We began the evening down in the boudoir-like basement club, where Bourgeois & Maurice were dazzling their sequinned catsuits in the crimson-tinged dark. Bourgeois’ gigantic eyelashes and Maurice’s beehive are an electric draw on the cabaret circuit for their satirical songs squeezed through the urethra of acerbic humour. Modern-day idiocy and snobbery is often their bull’s eye target: ‘I went to to the supermarket the other day, and they’d run out of quinoa, Bourgeois’ / ‘oh no, what did you do Maurice?’ / ‘I took a shit in aisle 10.’ Check out ‘We Want Love’ on YouTube for a particular highlight of their work.

Upstairs on the more grungy, rockstar main gigging floor Penny Arcade treated us to her hosting duties, with her auburn flame of hair and vast mammary glands hooking all into an engaging look. Her message was stark: gentrification killed New York and London was next, she was followed by New York’s wonderful Rachel Mason, who suavely strode the bar in her trilby and velvet vocals, Viva Deconcini, the ever-energetic A Man to Pet, glorious Needles Jones and an intriguing Morris(she) impresario.

Alas, if there was any affirmation needed about the fractured state of ‘LGBT’ in London today then it was the lesbian guitarist who got up to sing a song about having sex in the basement. The assembled gay men instantly lost interest and began acting as if the interval had already been called, chatting, going to the bar and heading for cigarettes. I don’t have enough space here to try exploring the psychology behind this attitude, but our hearts bled like the Green Party for the poor girl, who wasn’t a bad act at all in our humble opinion.

Yet overall this was a spectacle to get the cockles and embers of creativity smouldering back into smoke: an earthy, bodily celebration of being queer, being human and just being brilliant. The Glory is a name chosen aptly, we think; perhaps it’s time our ailing gay scene deserved a bit of glory. David, it’s right to worry about those in authority of the arts, but for the time being, Jonny’s got our backs.

 

• The Glory, 281 Kingsland Road, Haggerston, E2 8AS. Friday 3rd April. 

www.facebook.com/TheGloryLondon

• David Hoyle’s ‘Abracadabra’ is running fortnightly on Thursdays (next show the 16th April) at the Bethnal Green Working Men’s Club, 42 Pollard Row, E2 6NB. 

www.bourgeoisandmaurice.co.uk

SexCircus vs Revolver Berlin

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SexCircus

03/04/15: Continuing our weekend of debauchery, on Good Friday we popped along to the appropriately named Crucifix Lane for BLACKOUT, one of the hottest men-only parties of the year and a co-promotion by Orange Nation’s SexCircus and Oliver M’s Revolver Berlin.

Returning to the clubbing capital, SexCircus’ resident superstar performers, Damien Crosse and Jonathan Agassi, were joined by Bruno Bernal and Spain’s hottest exports: Allen King, Andrea Suárez and Angel Cruz. These boys were locked in a virtually non-stop wank, suck and fuck-fest that left the stage covered in every bodily fluid imaginable! On the decks Brent Nicholls kept the Hard On room pumping while Lee Harris and Noor Q were joined by Oliver M on the vaulted main floor, for a roller coaster of uplifting and tech house that kept the fetish-clad crowd pulsating ‘til the lights came on. One of the most intimate, sexy and dirty parties in ages. Fingers crossed for a repeat soon!

Crucifix Lane, 79 Crucifix Lane London SE1 3JW
Words and Photos by Chris Jepson

Popcorn Spring Break

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Popcorn

06/04/15: In true ‘Guys Gone Wild’ style, Popcorn’s ‘Spring Break’ party was a fun, funky and frivolous extravaganza for an exuberant youth.

School masters and mistresses on the decks Adam Turner, Paul Moreno, Neroli, Jonathan Bestley, Sam DMS and Zach Burns provided no less than four different music areas from house, to pop, to R’n’B and more for a crowd up for Monday madness. Headmaster Selby fired up the barbie on stage, pressed his hot meat between fresh buns and fed the five thousand while Chrissy Darling and friends kept the queues at the door (and there are ALWAYS queues at the door) entertained as Popcorn’s popularity continued on an ascendant path.

Heaven, Villiers Street, WC2N 6NG
Words and Photos by Chris Jepson

Vault

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The Vault

05/04/2015: QX hit London’s fashionable Fitzrovia for saucy studs and steamy shenanigans as the Vault packed in a crowd of hotties for top class booze ‘n’ cruise action (and a whole lot more) on Easter Sunday. 

Promising a veritable Aladdin’s Cave of sleek and sexy antics, we arrived just as the afternoon underwear session reached its sweaty climax with a bevy of buff boys in briefs checking out the many attractions within the ravishingly red-lit cruise maze. And as afternoon turned into evening, there was more feverish fun to be had with the ever popular ‘Cruise’ fixture pulling in dishy dudes, dazzling dads and tasty twinks getting to grips in the private cabins (complete with glory holes!) and finding some fabulous uses for the cool industrial décor. Elsewhere, there was chilling galore on luxurious leather sofas amidst the hi-tech ambience of the bar as the fit and friendly bar guys gyrated to some of the sexiest low-down DJ sounds in town. Meanwhile, there was an earth-moving experience to cum (oo-er) for one of the QX party on a PVC banquette, behind a set of suitably swinging saloon doors, as our world-beating scene proved Jesus wasn’t the only one to get nailed over an Easter weekend. Check out the thrills at the Vault – open seven days a week!

139b-143 Whitfield Street, W1T 5EN
Words by Chris John
Photos by Mark Storey

Songs of Praise

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Songs of Praise

04/04/15: QX cried ‘hallelujah’ on City Road as London’s edgiest bijou homosexual pop party let rip for a bumper Easter edition last Saturday.

Featuring two rollicking rooms of cool chart smashes and buzzin’ underground licks, the Songs of Praise posse pulled in a crowd of hunks ‘n’ hot-steppers for a bank holiday knees-up that had the rowdy rabble stomping the boards clean into Sunday morning.  Outrageous antics included dazzling DJ duo, The Sugalow Boys, entertaining the fluffy disco chickens for pumpin’ pop blasts on the main floor as the QX crew rocked our best robot moves in the midst of the melee. Next door, world class DJ outfit, Elektra Complex, seized the decks for a vibin’ pop-up version of their Discosodoma in room 2, with a barrage of electro-fuelled grooves causing a day-glo pile up on the dancefloor. Meanwhile, there were plenty more sonic sensations to come from the likes of Neil Prince and David Oh as the supercharged sugar rush continued through ‘til fabulously late!

East Bloc, 217 City Road, EC1V 1JN
Words by Chris John
Photos by LUXXXER


The Victorian Stonewall Story

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© 2015 Nicolas Chinardet

The Hulme Fancy Dress Ball was the scandal of 1880s Britain. Here’s the story of the Victorian Stonewall, and our history.

 

By Patrick Cash


Jerome Caminada was known as Manchester’s Sherlock Holmes. He was on a crusade to rid his city of moral vice. In the early hours of 25th September 1880, as the industrial smog crept through the streets and his breath crystallised in the cold air, he was perched on a rooftop. Music drifted faintly into his ears – energetic, musical, flamboyant – and his eyes were focussed grimly on a sliver of light emitting from the black crepe-papered windows of Temperance Hall.

Inside, a drag ball raged. Liquor flowed, lights glowed, and laughter cackled to the rafters as the beautiful and damned danced. Every person in the hall was a man. Half of them were dressed as fabulous, fantastic, fairy-tale creatures, and the other half, in frilly skirts and corsets, were dressed as women.

Caminada swore to himself and smoked tobacco quicker, as he recognised a deviant tune and before his startled eyes high kicking began amongst the revellers, as the women-men showed off their ladies’ undergarments. He would later attest in court he had witnessed ‘a sort of dance to a very quick time, which my experience has taught me is called the “can-can”.’

Suddenly, he’d seen enough. Throwing away his cigarette, he summoned his force of police officers, and they marched in, the drumming of boots echoing down the staircase and out over to the Hall. Having spied upon these balls of debauchery before, Caminada knew all about the secret entrance and its knock.

He knocked on a hidden-away side door.

It creaked open by a slanted crack, and the sound of the devil’s ball became more alive. Behind the door was a man dressed in the holy habit of a convent.

‘Password?’ growled the big, muscular nun.

Caminada shuddered inside as he forced himself to affect a high, feminine voice.

‘Sister!’ he piped in an operatic falsetto.

The door swung open fully, and in a prophetic echo of New York’s 1969 Stonewall raid, in poured the full force of the Manchester City Police to the cross-dressing ball.

‘It was the largest raid ever on an LGBT venue by any police force in the UK,’ says Richard Brady, one of the writers behind A Very Victorian Scandal, a recent play based on the events. ‘The pictures in the Illustrated Police News of 9th October 1880 show dancers fighting back against the police.

‘There was massive public interest in the story. Newspapers picked the story up; with some papers issuing special illustrated supplements and the reporting even reached America. It was a national scandal and a line can reasonably be drawn from these men’s trials to the Oscar Wilde trial in 1895.’

The play was performed in three separate pieces as part of LGBT History Month, to great acclaim. Brady believes it was important to present this story in this context.

‘By denying a person their history, you are denying them their identity. The Hulme Fancy Dress Ball shows that there was a vibrant community in the North of England, made up of ordinary people. The majority of the Victorian LGBT history known by the public is about people from the upper classes.

‘Very little is known of ordinary gay people and we felt the LGBT communities in Manchester deserved to learn more about their history. The story of how the police, the press and the public interacted with each other is also a remarkably modern story. It shows the same dilemmas that we’re still grappling with today with the phone hacking scandal.’

Each piece of A Very Victorian Scandal was full to capacity, and so the writers are now looking to turn it into a full-length show. Due to the ambition of the project, with its large cast and period costumes and props, they’re still in the planning stages and can’t yet announce dates but we’ll be sure to keep you updated. Because our history is a part of our identities, and it reminds us that homosexuality did exist before 1969.

And did those forty-seven men get charged with ‘soliciting indecency’, as Jerome Caminada wanted? Well, we’ll leave that story to be told by the show…

 

www.lgbthistorymonth.org.uk

 

Photos © 2015 Nicolas Chinardet

 

Arthole Launch –‘Man’ by BJ Broekhuizen

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BJ Broekhuizen

How far does your identity as a ‘man’ affect your body shape? That’s a pivotal cog whirring within muscular gay male artist BJ Broekhuizen’s new exhibition ‘Man’, unveiled last week as part of suave curator Morris Monroe’s ongoing Arthole project. Arthole seeks to showcase and promote the most exciting new queer art from around London, with monthly exhibitions splayed in vibrant iconography across the walls of East End bar/club/community vortex, the Dalston Superstore. 

 

by Patrick Cash


Broekhuizen, who has ‘tattoos in unexpected places’ according to his promo work, documents the battle created between the media myths of masculinity and awareness of the personal self. ‘I think having a battle with oneself on a daily basis is part of growing and developing,’ he states. ‘It’s to me a constant fight of ideas and perceptions. I often call my brush my knife, my weapon.’

Undoubtedly, Broekhuizen’s years as a fixture on the gay scene also sharpens and focuses the fight he carves with his paint. The exhibition flows through five stages. Beginning with the vague, nebulous faces that reflect formulating or uncertain identities, the work finds flesh-filled form through the strings of inner muscle, like bodies shape in gyms – ‘about stripping back the layers of flesh’, says Broekhuizen – before the dark and spiky images of self-destruction, reflecting a loss of self. Works like ‘King’ in this part of the collection could be interpreted as a shade of the sleepless chill out/chems scene in the capital.

But the most beautiful and illuminating section of this exhibition is the most hope-filled; the final stage of spiritual awakening. Here livid, graffiti-like colours shimmer upon the canvas, and the works incorporate words and poetry into their painted art, as the prism spins from self-destruction to self-expression and redemption through identity. Finding a connection within oneself, and in the powers of the human mind, is how one can best express lasting strength and masculinity in the modern age; masculinity a concept that can exist in either men or women, or in genders in-between the spectrum.

Following the lineaology of Broekhuizen’s ‘Man’ work from beginning to end, we begin to find the falsity of what being a ‘man’ means as told to us by cultural norms and wider society. It can’t be found in the perfect male body, in the gym, in drugs, in steroids. But self-acceptance, and all the rainbow-like colours blossoming with it, can be discovered inside.

 

• Dalston Superstore, 117 Kingsland Road, E8 2PB. 

Runs to 5th May

www.artholelondon.com / www.bjbroekhuizen.com

Continuing our series looking at gay shame & sexuality…

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Adrian Trett

Liberal Democrat candidate for Vauxhall Adrian Trett made headlines last week when he came out as being HIV positive. He speaks to QX this week about why hiding his sexuality was such a painful experience… 

 


Growing up as a super enthusiastic sports fan was my greatest shame linked to my sexuality because I fell out of love with sport. The sports arena became my greatest fear, whether lining up to be picked on one side or another at school, waiting for somebody to say “Oh, you can have the fairy”, to the negative comments on the field of play. Or worst of all in the shower rooms, hiding any bodily evidence of attraction and trying to ensure I never got caught looking, even though I wanted to, just in case I looked at someone in the wrong way and ended up getting beaten up. I knew in my heart I was gay and acted in a way to try not to indicate I was. Once again there were no visible role models to look up to. Teenagers of today are so fortunate to have stars like Tom Daley break down those barriers, but there are still too few, especially in the most macho sports.

Being gay at school had the most horrendous impact on me and my future life. One cannot put into words the shame and embarrassment I felt which all contributed to the number of attempts on my life both during school and then later on in my early years in London.

However, one has to ask why does sport deal with this issue so badly? If you aren’t a strong, built muscled lad at school, then you’re seen as one of the weaklings and one is an open target that can easily be bullied and beaten. It’s no surprise that whilst at school homophobic, biphobic and transphobic bullying happens and today it is still a major problem as highlighted by survey after survey from organisations like Stonewall and Schools Out.

“If you aren’t a strong, built muscled lad at school, then you’re seen as one of the weaklings.”

Sport remains the bastion of the cruellest name calling and mental and emotional bullying there is, even by supporters on the terrace shouting at their own team play, the use of words seen as banter by fans can only alienate a proportion of the community from feeling comfortable in those surroundings!  There’s still no openly gay footballer in the top division of the premiership– over 500 players and not one is openly gay.

When Gareth Thomas came out about being gay the rugby world embraced him, but his story of having to fit into an expected macho culture with all the associated behaviours meant that he had to be someone who he wasn’t and that lead him down the same path to suicide attempts as me. After having read his autobiography, so many parts are tinged with so many similar elements in my own life, albeit in very different ways.

Now, I don’t pretend to be a great sportsman, I play golf to an acceptable standard, but how many openly professional gay golfers are there? I’ve tried my hand at most sports over the years, just because I love sport whether that be football, tennis, badminton, gymnastics, table tennis, swimming – you name I tried it. However, my sporting passion rekindled from around 2004 onwards when I joined the Irons Golf society. That was part of my rehabilitation process, finding a group of people who could accept me for who I was. It put me on a slow journey with the help of some very close friends to improve my mental health and exercise. I started going back to football matches, having the safety of going with a close friend enabled my sporting passions to return.

Yet, I look back with great regret that if only I hadn’t been bullied at school, maybe I could have been so much at better sport? My family have sporting precedents and at such a crucial age during puberty, growing up it was the most difficult issue to face and the one lesson at school I dreaded, even though I pretended to not care about the insults and ridicule and carry on as if nothing had happened.

That shame still haunts me today as do my actions growing up in that environment. Ultimately, only now can I reconcile that it was my voice shouting out for help to deal with my homosexuality at an age that I couldn’t comprehend and understand. This is why fully inclusive sex and relationship education, including an explanation of different family structures and same-sex relationships, needs to be explained at the youngest age possible, preferably seven and upwards which is when I first knew there was something different about me. If I had had that recognition at that age, I could have accepted who I was and been given support and help rather than experience the shame that engulfed me over the years that followed.

DISH @ East Bloc

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Dish - All rights reserved to markstoreyphotography.com

11/04/15: Final call for all Dishes! This Saturday was the last time the sexy Spaniards and sassy Shorebitches descended on East Bloc.

We’ve had some amazing/blurry memories at Dish over the years, usually ones that end with us sprawled at the bottom of those deadly stairs while Janisha attempts to peel our face off the floor. So, we were making sure we gave the last one (for now) a proper send-off! It was totally emotional sashaying up City Road, looking like some twisted Mean Girl crew. Borja Peña got things cooking in the main room, but it was the crowd that were really sizzling. *Pats weave*

Hostess with the mostest (lip hair) La Pequeña was looking beat to the Gods, obviously – sister-friend never serves anything less than hot Hitler realness. Ray Noir laid that shit like he was Joseph the carpenter, but it was Head Chef Tom Stephan’s set that had our posse pussy-popping to some deep house beats. Thanks for satisfying our hunger/thirst, Dish! Don’t take too long to return – we haven’t enjoyed sweating this much since we bumped into Russell Tovey in the changing rooms at the gym.

217 City Road, Shoreditch, EC1V 1JN
Words by Anthony Gilét
Photos by Mark Storey

G-A-Y Porn Idol with Willam

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Porn Idol with Willam

09/04/15: After last week’s phenomenal perverts on parade at Porn Idol with Courtney Act, we didn’t think it could get any better.

How wrong we were. The latest guest from RuPaul’s Drag Race, Willam, was simply superb. In a see-through black dress she came across as all sweetness and light before turning to the audience and innocently asking, “shall I be kind or shall I be Willam?” Clearly the only answer was the latter which opened the floodgates to a barrage of pinpoint accurate and hilarious put-downs. Willam’s victims were a young bunch ranging from 18 to 24 but the final came down to a dance-off (without clothes) between two army boys – Phillip, a Porn Idol regular and Anthony, plucked from the audience in regimental uniform and sporting tattoos and a cheeky smile that helped him cruise to victory. Porn Idol’s winning formula continues this Thursday with Detox and next Thursday with Sharon Needles.

Heaven, under the Arches, Villiers Street, Charing Cross, WC2N 6NG
Words and Photos by Chris Jepson

Homoelectric

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Homoelectric - All rights reserved to markstoreyphotography.com

11/04/15: This QX pap personally hadn’t been down to Dalston Superstore for some time now, but we’ll always have a soft spot for the place.

As always, we were greeted warmly and looked after by the door whore of door whores, the wonderful Bica. Always great to start off the night with her smile! Homoelectric, huh? More like homo sapiens of every denomination, as a very eclectic and pumped crowd built upstairs, with host Ms Ted Rogers entertaining anyone watching with his slutty, happy, hairy self. Oh, and of course, the fiercest 6-inch red Dorothy heels… I’m amazed he stayed up on that bar. I’m sure he was whispering to himself “there’s no place like home, there’s no place like home…” click click! Downstairs was really rammed, wall-to-wall dancing, prancing and whatever it is those young ones do. Werking? Twerking? DJs Jamie Bull, Luke Unabomber and special guest Danielle Moore kept it vibrant, deep and banging, with the crowd loving every beat. We can’t wait to get down there again soon!

Dalston Superstore, 117 Kingsland Road, E8 2P
Words and Photos by Mark Storey

Topsie Redfern @ City of Quebec

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Quebec

12/04/15: Sunday nights at the City of Quebec are legendary and over the years have attracted almost every cabaret artiste on the scene.

In the ten short months new manager Dave (ex of the Queens Arms, Brighton) and his team have been in situ, they have managed to sweep out the cobwebs and are breathing fresh life into this historic venue. We popped along last weekend for Miss Topsie Redfern, one of the ‘new girls’ on the scene who has become a firm favourite of the old guard of Marble Arch. Topsie took to the stage to a Bond theme tune and looked every inch the Bond girl in her floor length black sequin gown. She then gave the crowd exactly what they wanted, with over an hour of ballads, pop and diva classics. Nothing is out of her amazing range and repertoire and she effortlessly moved from Streisand to Queen to Bassey to Carmen in full opera voice. There was a camp 80s medley, a quick boogie to the ‘Timewarp’ and a Disney duet where she took both male and female parts. Between songs, Topsie’s chat and banter was smooth and natural as she moved amongst the audience and she even ‘persuaded’ three guys to ‘volunteer’ to play her hunt for a fiancé game. A pitch-perfect ‘Rise like a Phoenix’ cover brought the show to a close and rightfully rewarded her with thunderous applause.

12 Old Quebec Street, Marble Arch, W1H 7AF
Words and Photos by Chris Jepson

 


Yes, Asians

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Mark Taylor

What’s it like to be an Asian guy in a world of gay hook-up apps where some users just say ‘No Asians’? 

 

By Patrick Cash


Raise your hand if you like the term ‘gays’. Like not ‘gay people’ but as in the ‘God Hates Gays’ placards wielded by the pitifully sad and ever-increasingly desperate Westboro Baptist Church, an organisation who are the media equivalent of a toddler who does a shit on the floor to get attention.

But their use of ‘gays’ or ‘fags’, or even ‘homosexuals’, is calculated. It’s a lot easier to hate a dehumanised ‘gay’ than a living, breathing person who feels the same emotions and bleeds the same colour blood. This use of derogatory language is widespread to make minority groups ‘other’: n*ggers, scroungers, immigrants, the crackheads and crazies of Bethnal Green.

Language can even be used to separate people with power from their humanity, and their emotional thinking. Elizabeth Stoker Bruening published a piece last month in the New Republic entitled ‘Dear Politicians, Stop Calling People “Taxpayers”’.

In it she writes: ‘While “people” designates the broadest possible public as the subject of a political project, “taxpayer” advances a considerably narrower vision – and that’s why we should eliminate it from political rhetoric and punditry.’ When you’re a taxpayer you’re no longer considering the human needs of people on benefits, it’s all about the cost to your income.

As that old dragged-up mademoiselle of fate would have it, just as I was writing this introduction a meme flashed up on my Facebook news page from ‘Common Gay Boy’:

“EQUALITY” scream the white gays with LEGALIZE GAY across their shirts & “NO BLACKS NO ASIANS NO FEMS” across their Grindr profiles

Despite ‘white gays’ doing exactly that dehumanising thing I describe above, the angrily capitalised message has a point. You’d think being dehumanised by casual ignorance as ‘gays’ would be bad enough, but instead of rebelling against that by celebrating and expressing our humanity, we instead pass on the oppression. And one of our own minorities who really suffers is gay men of South-East and East Asian ethnicity.

‘No Asians’ is totally plastered over those windows of hook-up apps like Grindr as if they were newsagents run by UKIP. Guys claim they’re not being racist, because it’s a personal sexual preference, but who stops to think about the effect seeing those words will have on Asian men? Many of those perfect-bodied, headless torso profiles are not from closeted guys, but out-but-not-proud Asian guys scared of rejection.

In a recent report from Public Health England it found that gay/bi men from an ethnic minority have ‘significantly higher rates of suicide, self-harm and mental illness’. It also found that ‘the personal testimonies’ of these men often go untold. So we spoke to three gay, Asian men from the scene to find out their own stories, and what they think of that horrible ‘No Asians’ tag.

 


MARC ABE
Photographer

I moved to London from Tokyo when I was 18. I like taking pictures. I live a settled life with my partner and two Siamese cats. I grew up in Tokyo so my perspective isn’t relevant, but all I can say is that I never really notice my ethnicity when I’m in London, but I think I’m fortunate to say I have not. Although, I do get people “guessing” my race and getting it wrong all the time and it drives me insane. “I’ve been to China,” isn’t the cleverest opener…

I was never active on any of those hook-up apps, but I am aware of the profiles with racial preferences. For me personally, “ASIANS ONLY” or “NO ASIAN” are both equally rude. Sure, everyone has a type, but I think it’s a little too much. I don’t walk around with a placard saying I am Asian. No one does.  I just don’t get involved, as their mindset and not realising that it is offensive to some just offends me.

I don’t see my Asian-ness in London. You get so many different people from all around the world here and that’s a great thing. More interest and knowledge towards each other’s culture is the key to understanding and acceptance I think!

 


ALEXANDER HAN
Personal Trainer and promoter for club Bang! 

Growing up as a gay, Chinese man in London was very lonely and challenging, yet some of the most important and rewarding few years of my life. Being 16 is a confusing time for most boys and being gay and a foreigner, I was totally lost. I could hardly meet any other gay Chinese guys like me and there was no role model that I could look up to. Trying to understand who you are becomes even more confusing when you don’t even know what you are trying to understand.

I felt odd, I felt isolated and started to question everything about myself. Was it my skin color? My eyes? My hair? The way I dress and pronounce, all these doubts eventually crashed my confidence completely and forced me into the journey of stereotyping. I have tried to change everything that I possibly can in the attempt to alter my identity and erase my past.

For many years I hated to speak Chinese in public and have seriously considered having plastic surgery to make me look more Westernized. Going to the gym five times a week just for the sake of six packs and big arms: I was only trying to fit into that stereotype. Trying to be accepted. The funny thing is no matter what I do, I will never be able to look like one of those poster boys that the gay community has been desperately perpetuating.

I can sit on the fence where the two different cultures assimilated and look at both sides of where I came from and what I have become. It broadens my horizon and definitely gives me a whole new perspective, but I also believe that every color is unique, they all vibrate under the sun. Everyone has a unique personality, background and life experience, that’s what makes us different; those sharp edges will make us spark when we collide together.

Gay, Asian men have been the subject of prejudice and have been fighting for our existence and acceptance in a straight man’s world for too long. We are refusing to be stuffed into pre-labeled boxes, because each one of us is unique! If we can’t accept ourselves, and worse let that negative feeling project on to others, then we have another problem, internalized homophobia is something that most gay men have experienced consciously or unconsciously.

We are working harder, partying longer with more drugs and even more casual sex, pushing us to the limit and taking everything to the extreme. It’s merely a desperate effort, trying to compensate for the fact that we can’t come to peace with ourselves. And all the prejudice and racial preferencing is only the side-effects. “If you don’t love yourself, how the hell are you gonna love someone else?” I’m in my 30s and only now can I start to fully comprehend the true meaning of that.

Being faced with racial prejudice has made me stronger, and who I am today. It’s very upsetting at the time, especially when it comes from within the gay community. It’s one thing that I cannot change and hurts me the most. But I slowly understand it’s a result of one’s ignorance and self-hate. They don’t know me, they have no right to put me in that box, as long I am sure of myself as a person and as an individual, everything else is irrelevant.

‘Trying to understand who you are becomes even more confusing when you don’t even know what you are trying to understand.’

In terms of the hook-up apps, it’s a place where people take measurement over moral grounds. I’ve seen things that are way worse then racial preferencing, all I can say is listing the ‘dislikes 101’ does not make you more assertive or attractive in anyway.

London’s LGBT community is very diverse and active, with all the new legislation that is protecting us now and the significant change of the social attitude towards gay people, which has made gay life so much easier. If we can all just be more accepting to each other’s differences and let the technology do what it’s meant to do – making our life easier, and better at reaching each other. Hopefully, another young Chinese male would find it easier growing up as an ethnic gay man in London.

 


MARK TAYLOR
Menswear Designer for Mark Thomas Taylor

I’m half-English and half-Thai although there’s some Irish, Italian, Chinese and Welsh thrown in there somewhere, too – I guess that’s pretty standard in London though, eh?

I moved to the UK when I was 18 from Washington DC and remember being in a gay bar, and while waiting for my drink to be poured just politely turned to the guy next to me and said: “Hey, how’s it going?”

I didn’t fancy him, I was simply being nice while we both waited. His response: “Haha… No, not into Asians mate, better luck next time.”

I was so shocked I just turned back to face the bar and wait for my drink, calling him a cunt under my breath.

Let’s face it, the Asian community both East and South are the least represented within the gay community in the marketing, the advertising, etc… I have no issues with that, but one does have to question why that is?

There are always jokes around when I date guys that they’re suddenly rice queens, but could it be that they just fell in love with an Asian guy? As a society we have dictated to us what beauty is and being Asian is certainly not at the forefront. Unless, of course, you turn to the massage pages in the back of any gay mag (awwwkwaaarrdddd) “Halloo massass mister?”

In recent years it’s improved considerably. I think one of the misconceptions when guys see an Asian guy in a bar is that they might not speak English. I had a douchebag come up to me two weeks ago and say: “HEEELLLOOO, WHEEEREEE AREEEE YOUUUUU FROOOOM?!?!”

To which I responded, “I’m Asian, not sloooow dude.” I laughed and did my shot of tequila, then danced off to Robyn. This must have been at least the fourth time that’s happened over the seven years I’ve been back in the UK. The other response is “OMG, but you speak English so well…” which is a total boner/conversation killer.

We’ve all seen “No blacks, no Asians” – It’s much worse in the States and Canada than it is here, but it definitely exists. Whatever floats their boat. They may feel that they’re stating it upfront to not waste anyone’s time, and I hate playing the race card but I’d say it’s a pretty racist thing to say. “Gaycism”, as I call it, is still really prevalent even today which is shitty. You wouldn’t write, “I’d love to be friends with everyone except blacks or Asians” and if you did, well, I sure as hell wouldn’t want to know you.

‘Guys who are nasty about race on these apps are just showing their true selves, which makes them look shallow and ignorant.’

We all have a type, and when I do occasionally use these apps I prefer to write about “I am looking for” rather than what repulses me. Anyone who has a long list of negatives isn’t going to get along with me.

At the end of the day I’m half-Asian and that’s not changing and I’m very happy about that. Guys who are nasty about race on these apps are just showing their true selves, which makes them look shallow and ignorant. I’m sure some would argue they’re just being “honest”… Or, as I call it, an asshole.

I think that apps have made it worse, it’s taken the humanity out of it all. People can be nasty and then just block them with no sense of guilt. I certainly don’t think that’s right nor does it build strong foundations for a community already marginalised within society. But, hey, everything is forever changing so maybe one day you’ll have a dancing dragon with a bashment queen dutty whining on it for a flyer. (Kidding).

Overall, we are moving forward as a society. I’ve met some beautiful, inspiring and supportive people in this crazy city and continue to meet more everyday.

I think I’m able to safely say that things will continue to improve. Not out of tolerance but out of acceptance. You can’t knock guys for having a type, I think some people just need to learn a little more tact and work on softer delivery when looking for their shags or future BFs. I’m happy to say the people I surround myself with all realise that we aren’t defined by our race, but by our actions. Hey, try an Asian, apparently we have soft skin!

Fade to Black

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‘Resurrection Of The Resurrection Show’ aka the last night at the Black Cap by fdphoto.co.uk

After over 50 years as one of London’s most iconic LGBT venues, the Black Cap closed its doors on Sunday 12th April…

 

By @CliffJoannou


There has been much in the media lately about the relentless march of gentrification that is slowly scrubbing any mark of individuality and community from inner-London. The LGBT community has suffered as have many others, but the effect on ours seems so much more brutal. When it comes to us it’s more apparent simply because after years of painful recession that saw the number of queer venues slashed by half, we’re now having to fight to keep alive what little we have left.

The nature of gay venues means they are often ramshackle spaces, occupying run down or less than glam locations. The roof may be leaking, sweat may be running down the walls, and the DJ decks are held together by gaffer tape, but we’ve always celebrated in said spaces, proudly on the fringes of society. Few epitomized this more than The Black Cap. Isolated in Camden, away from the gay villages of Soho, Vauxhall and East London, the ‘Cap was steadfast in its stubbornness to stay away from the crowd.

Yet, for a good decade it was left to rot and flounder, both in terms of its physical state and the creative energy that was invested into it. After the passing of Regina Fong, perhaps the legendary bar relied on its legendary status too much to pull in a new crowd that needed more than just history as a reason to jump on the Northern line to Camden and give the girl another chance. It enjoyed some great success with events like the Drama Queens, but it failed to innovate like this fast enough. And let’s face facts: if the venue had been supported by the gay scene during that time, it would likely still be here today.

But, on the other hand, I don’t think any of us ever envisaged that we’d one day lose so many famous venues like the Joiners Arms and the ‘Cap in such a short time. Maybe we grew too comfortable in our belief that the scene was just a destination to get pissed in? Maybe we forgot that the heart of any gay scene is a supportive community?

Yet, on the flipside of that, it’s not easy to fly the flag of your local gay bar when its parent company, Faucet Inn, is determined to cut the venue in half, and transform its upper floors into luxury flats for affluent folk. On her blog, Holestar has been more level-headed than others of the plans. She acknowledges that the venue was severely in need of renovation. From the dilapidated toilets to the flimsy backstage tech, it needed an overhaul, and this would have been paid for by those derided luxury flats. Holestar condemns the ‘well meaning but ill informed academics and armchair activists’ who fought so hard to ward off the redevelopment. And she may be right. Perhaps, had those luxury flats arrived, we’d still have a Black Cap, albeit at the expense of the first-floor Shufflewick Bar and Regina Fong Terrace. She also criticizes Faucet Inn for its lack of engagement with the community. Would redevelopment have saved the ‘Cap? We’ll never know. Questions remain. Why did the recent hearing at Camden Council go ahead if the building was sold last year? And who are the new owners of the property?

The transformation of the Black Cap from almost forgotten gay scene memory to popular destination over the past 18 months under the stewardship of Meth and the Familyyy Fierce, alongside managerial support from George Antony and Jamie Henderson, showed the venue had a future. Packed-out cabaret and performance events and growing club nights were testament to what renewed ideas and energy can give to a venue. But maintaining a successful business in the face of London’s unsympathetic, economy-driven changing landscape is an altogether different task.

Has the Black Cap gone forever? What will the ‘new’ owners choose to do with it? We’ll find out in time. What we should remind ourselves of is that this is not the first time the LGBT community has faced the threat of change. As Myra DuBois so rightly said: “We are a community stronger than bricks and mortar. Do not forget that.”

We are a stubborn lot, and we know how to adapt and survive more than any other community in the face of all sorts of threats. Always remember: Where there’s a wig, there’s a way…

 

Twitter: @CliffJoannou

 


THE COMMUNITY REACTS

what the scene said on social media * [sic]

 

Meth

This week we have had to say goodbye to one of the most important queer spaces that London has ever known. The cultural heritage and space for community provided there were undeniable and invaluable. The loss we are all feeling is monumental. It breaks my heart to have to say goodbye and it is made even worse by the fact that so many were denied the chance to say their own goodbye. The decision to close without informing the public was both ill-advised and cowardly, showing a blatant disregard for the place that this venue held in the hearts of so many.

The Black Cap has been my home for the past 18 months. As an artist, an entertainer, a promoter, a punter, a queer. I owe so much to her and the staff there who have made this past year and half possible. I am devastated, I am angry but I owe it to the old girl to keep on keeping on, made all the more fierce for having had the privilege to have known her and been a part of 50+ years of queer history.

 

Crystal Lubrikunt

I’m going to try not to be as cliche as possible but as RuPauls’ ‘Let The Music Play’ just came on shuffle and it made me reflect on all the memories I’ve had at The Black Cap, this is a sad time but we gotta keep positive, the future is ours and we gotta make it what it is. Perhaps one day The ‘Cap could return, but for now? Raise your glass, reflect on the memories, live for the friends made underneath its fabulous roof and let the music play, Regina this ones for you.

 

Charlie Hides

The Black Cap closed! For over a decade I performed at the Black Cap on a regular basis at least 100+ times in this legendary cabaret venue. I have many happy memories of late night shows there with Kandi Kane-Baxter and Laquisha Jonz, who hosted a game show night on Mondays for a couple of years. Who remembers BLING BLANG BLUNG? (and Council Bitch Barbie?)

 

Lydia L’Scabies

A large percentage of the fabulous, the creative, the bold and daring, and fan girls alike are burdened with this surprising and upsetting news. Another venue on the capital’s radar with such rich history, home to many, and haunted by its previous successors has been shut down for the sake of “fattening wallets”. I am proud to say that us three of House Of Grand Parade and even our darling pet Penelope has graced this stage, supported and worked with some magical people from near and far, met many a’ wonderful people, and shared some times, but most importantly been a part of that rich history.

I had a little day dream about one day in the far furture there being a “Black Cap Museum” similar to that of a Victorian indoor reconstructed street with dodgy waxworks of Ragina Fong, Danny La Rue, and then Meth, George behind the bar and Vickie throwing out some drunk twink in a Willam Belli T-shirt. Nuhnight

 

Rubyyy Jones

Goodbyyye Black Cap. You were a first stage, a meeting place and a home to so many… Let this upsetting upheaval bolster our actions & energyyy in securing the spaces that remain…

 

Michelle Visage 

My heart is broken for Camden. 50+ years of LGBT history lost to fatten wallets. So long Black Cap. I’m honored to have been part of u.

 

Virgin Xtravaganzah

I have no words today. I’m utterly heartbroken like many people. It was an honour and extreme privilege to host last night’s show. I only hope I did The Black Cap proud. RIP.

 

Myra DuBois

Love you, The Black Cap. Proud to be a part of your story, even if the role was that of a musician valiantly playing on as the ship sank. We are a community stronger than bricks and mortar. Do not forget that.

 

DJ Chris Reardon

I was the resident DJ there from 1989–2007 and again in 2013. It was the most magical place to work in. I worked with the best performers you could ever imagine. Yes, we all had our egos, but we all worked well together to put on our shows and music. But I am just one person. There are many others who made this venue. Mrs Shufflewick, Regina Fong among the “big” names there over the years. Each and every one of us had our “best time”. Something holds you there – maybe the spirits of all that have been there in the past. It has to be said, if the venue had been supported by more people, I doubt it would have closed. But time moves on, and you can’t stop change. All very sad, but wonderful, wonderful memories.

A taste of Mykonos

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Loft Bar

Mykonos Comes To London is a weekend long concept that takes over one of London’s finest event spaces to bring the summer season one step closer.

QX spoke to promoter Markaiu Mason… 

 


For those that have not yet experienced the island’s magic, what do you love about Mykonos?

Mykonos is so beautiful. The golden sand, blue sea, marina and cobbled white streets are something from a film and it’s a short plane ride from London. They have the best of both worlds, a superb party scene and beautiful beaches and views.

How will you bring those elements to London?

Mykonos Comes to London ‘M2L’ is a springtime event to kick off summer. It brings in the European and American talent that you would see at Elysium Hotel in Mykonos during the summers to London, for a fun party weekend with great music, phenomenal talent, and gorgeous venues with super sexy men provided by my company ‘Cruz London’. The London Sky Bar is flying people in from all over to entertain, this is going to be an spectacular event.

The venue is quite unique…

The London Sky Bar is a unique and beautiful venue inside Millbank Tower with gorgeous panoramic views of the Thames and London. It’s a fantastic party space and can hold up to 600 people. Inside you will feel like you’re in Mykonos and as soon as you look out the windows, you will see the most breathtaking views of London.

You’re a new name to the London club scene. What’s your background?

I have been in the club scene for a few years working with Mayfair parties, XXtra and now my own company ‘Cruz’. We are the only recurring LGBT event on any river in Europe. We have been going strong for six months now and our next event will be in June, we have a really cool exclusive crowd that come to our 200 people cruises. When we were approached to come onboard for the M2L event, my team and I were very excited as their vision for the LGBT scene in London matched ours, which is that we should not just be limited to Soho. There have been many Mykonos events and parties in London but none to this capacity. It’s going to be the best Mykonos party in London to date.

Tell us about the entertainment…

DJ Mays hails from Belgium. He is the resident DJ at Elysium hotel in Mykonos and is internationally renowned. His music is top of the charts dance and house, and he always gets the crowd going. You’re sure to hear the best new remixes and the hottest beats from all over the world. Performer and host-wise we have the Elysium Hotel’s hand-picked talent by the boss and amazing artistic mastermind Vasilis Chouliaras. Vanessa Van Cartier is a glamorous diva from Belgium. She brings amazing costumes and world class talent to our stage every year. Her numbers are stupendous and stick in your mind bringing drama and beauty to our stage. Gloria Darling is from Italy, and is a legend in Mykonos having worked there for many years. Gloria is an accomplished entertainer who can do, basically, everything: comedy, dance, drama. And all is done covered in rhinestones. Our hunky dancers Dinn, Patrick, and Nikko are all Greek gods. Big muscles and trained dancers who work all winter to create great numbers for us. Epiphany Get Paid is from NYC and is the host of the show in addition to singing live, dancing, providing devastating beauty, and making jokes.

And there’s a cruise on Sunday?

We have three shows on the 17th, 18th and 19th with a special river cruise on the Thames if you buy a VIP ticket. The first hour is unlimited free premium alcoholic drink, from champagne to shots, and luxury canapés served by the delicious Cruz London boys. Two shows a night and DJ Mays will be on the decks. The show alone is worth the ticket price. With partying until the sun comes up with the best views in London and the hottest guests you can’t beat this experience.

 

• Mykonos Comes To London is on Friday 17th, Saturday 18th and Sunday 19th April. 

• More info and tickets from www.londonskybar.com/mykonos.php

Drag Idol Launch

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Drag Idol launch

08/04/15: Last week’s Drag Idol launch drew the biggest crowd in the competition’s history thus far, as well as the most applications they’ve ever received.

An amazing night kicked off with a series of powerhouse performances from past winners. The line-up included last year’s victor, drag king LoUis CYfer, batter dipped bird Baga Chipz, Tanya Hyde and the CK queens themselves, alongside this year’s ringleaders, La Voix and Titti La Camp!

Drag Idol has changed careers of winners and contestants alike, quite literally overnight and we’re certain we can look forward to more fantastic fresh talent flooding the already-thriving UK cabaret scene from this year’s crop of hopefuls.

There will be twists and turns galore in the year’s competition, which will be revealed over the coming weeks. La Voix and Titti have been keeping their lacquered lips tightly sealed about proceedings, so watch this space!

They did tease us with a promise of celebrity judges for the final panel though, apparently on a level never seen before!

Fingers crossed for Babs Windsor and Paul O’Grady. Applications are available from www.dragidoluk.com or there is an application form on the back of all the flyers found in participating venues, which applicants can hand in to the bar staff.

Two Brewers, 114 Clapham High Street, SW4 7UJ
Words by James Egan
Photos by Joel Ryder

Talking about… Conor Maynard

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Conor Maynard

Ahead of performing his brand new single ‘Talking About’ at G-A-Y this weekend, pop boy-toy Conor Maynard spoke to James Egan about car-hopping, cameos and why Craig David makes him cry.

 


You’re doing a lot of hitchhiking around Miami in the new video for ‘Talking About’. Do you think it might have been easier to get an Uber? Or even Megabus?

It would have made a really crap video. Just me in an Uber with some grumpy driver. I’m actually in an Addison-Lee right now, so I’m basically a traitor. You’re gonna hear me get chucked out in a minute.

How was Miami?

It was amazing, we got to chill with Craig David, since he does a little cameo in the video.

I was going to ask about that!

He lives out there and he invited all of us over to his apartment, the night before the video shoot. I think he kind of forgot that even though his call time was 3pm, mine was 6am. He was pouring out shots while I was like “Please, please, let me go home!”

Wow. How did the cameo come about?

His track ‘Fill Me In’ is one of my all-time favourite songs, so when I was on tour with Jason Derulo I decided to cover it in my set. I think a fan must have recorded it and put it online. He basically then saw it, which is hilarious because he was obviously searching for himself, and tweeted me “Hey mate, just saw the cover and absolutely loved it”. I literally fanboyed in that moment. I think even a little bit of wee came out. So then we hooked up and ‘Talking About’ happened.

The power of Google Alerts.

I know. I’m waiting for the next one to pop up now.

Maybe the Weeknd and Drake will see your cover of ‘Crew Love’

That would be amazing. I fall asleep praying that will happen every day.

Craig’s in crazy shape as well, was he lifting weights between takes?

Oh my God, he’s so ripped. I didn’t know whether he was gonna sing or beat me up. Luckily, he was a really, really nice guy. But, yeah, really ripped.

I’d feel like a bundle of twigs standing next to him.

I got naked, looked in the mirror that night and broke down into tears. It was pretty depressing.

You need Craig David crisis counselling.

Exactly.

You’re performing at G-A-Y on Saturday, have you got anything special planned? 

A lot of nudity. Just kidding. Last time I performed there I took a glow stick to the face. That’s not a euphemism, it actually happened. Someone got really excited and threw their glow stick. It was a great moment and I’ll never forget it. I hold it dear to my heart.

Maybe bring a riot shield this time.

I might wear a helmet. It was a lot of fun, I’m hoping it’s just as much fun this time.

Have you partied there before?

No, I really want to! It’s annoying because I’ve got a TV appearance on Sunday Brunch really early the next morning. I don’t know if they’ll appreciate me turning up wasted.

Reeking of gin.

Yeah “sorry guys, I was at G-A-Y, had a crazy night”.

Your first single was called ‘Can’t Say No’, so I wanted to follow up on your progress: are you any better at turning girls down now? 

Well, apparently not because I have a girlfriend now. She got me.

But that means you kind of have to turn them down now, right?

Either that or get my face punched in. I’ll choose the less-painful option of ‘turning girls down’.

You’ve got to be firm.

“Be strong, Conor. Don’t do it!”

 

• Conor Maynard is at G-A-Y @ Heaven (Under the Arches, Villiers Street, Charing Cross, WC2N 6NG) on Saturday 18th April, 11pm-5am. Discount entry wristbands available at G-A-Y Bar.

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